| Scheduled Conference | Title | |
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | La memoria como testimonio de militancia y compromiso político: Mujeres antifranquistas en el Mayo del 68. | Abstract |
| NAYELI FABIOLA MOCTEZUMA MORENO | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | La persistencia de la memoria. La historia oral y la construcción de nuevos archivos. | Abstract |
| Tania Ocampo Saravia | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | La reconstrucción de la historia familiar en la segunda generación del exilio argentino. Retos, complejidades y dificultades. | Abstract |
| Rocío Ruiz Lagier, Ana Laura Ramos Saslavsky | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Las prácticas de la historia oral en ámbitos no académicos | Abstract |
| Rubén Isidoro Kotler, Adriana Echezuri, Silvana Luverá | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Learning Arara Language with Txakira ( Arara Community Cachoeira Seca, Pará, Brasil, 2019) | Abstract |
| Ana Maria Mauad | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Learning to Affectively Listen in a Digital Age | Abstract |
| Sumallya Mukhopadhyay | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Listening to London: Community Research in Oral Histories | Abstract |
| Foteini Aravani | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Looking Back at Three Years of Online Access to StoryCorps | Abstract |
| Virginia Millington | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Los testimonios sobre la vida de los normalistas de Ayotzinapa como parte del proceso de producción de la imagen gráfica en Tributo a los 43 de Jan Nimmo | Abstract |
| Michelle Aanderud Ochoa | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Lower Caste Narratives beyond Politics: Interviewing the Survivors of Caste Massacres in India | Abstract |
| Rajesh Prasad | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Managing the legal, ethical and security risks of a dual-purpose oral history project involving multiple organizations: The experience of the 'Film Bang' project in Scotland | Abstract |
| Nelson Correia | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Maria da Gloria, insubmissions and revolts – A teacher in disarray | Abstract |
| Maria Elizabeth BARROS | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Mediat(is)ed pasts: the place of the documentary as a repository of the urban memory in the labour and housing movement. | Abstract |
| Verônica Sales Pereira | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | MEMORIA E HISTORIA EN LA DICTADURA MILITAR: LA ACTUACIÓN DE MILITANTES RELIGIOSOS Y LAICOS EN PARAÍBA (1966-1981) | Abstract |
| Rodrigo Freire de Carvalho e Silva, Monique Cittadino | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Memorias campesinas de políticas neoliberales en el norte de México. | Abstract |
| Hilda Hernández | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Memórias de Aço | Abstract |
| Fernando Sousa | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Memory at war: oral histories of the Russian-Ukrainian conflict | Abstract |
| Malgorzata Łukianow | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Memory of an educational experience: from student to rural teacher in the Normal Rural School of Mactumatzá, Chiapas, Mexico | Abstract |
| María Concepción Martinez Omaña, Antonio Padilla | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | More then H20: Exploring the Biophysical and Social Dimensions of | Abstract |
| Javier A. Arce-Nazario | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Mujeres inmigrantes – actuación del Comité de Damas Bolivianas en la Ciudad de Río de Janeiro – | Abstract |
| Maria Teresa Toribio Brittes Lemos | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | My Greatest Joy Was a Sold Out Movie Theater. Cinema Employees in Socialistic Czechoslovakia 1960–1990 | Abstract |
| Marie Barešová, Marie Barešová | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | MYRIAD FACETS OF ORAL NARRATIVES: EAST BENGALI MIGRANTS AND CONSTRUCTION OF 'HOME' | Abstract |
| SUBHASREE GHOSH | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Narrativas sobre la vivienda: el caso del multifamiliar de Tlatelolco | Abstract |
| Pilar Adriana Rey Hernández | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Nosso Sagrado | Abstract |
| Gabriel Barbosa, Fernando Sousa | ||
| XXII IOHA International Conference - Oral History in a Digital and Audiovisual World | Nossos Mortos Têm Voz | Abstract |
| Gabriel Barbosa, Fernando Sousa | ||
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The views and opinions expressed during the conference tables and exhibitions, as well as the ensuing discussions, do not necessarily reflect the institutional position of the Getulio Vargas Foundation.